Next month Dying Wish unleash their new album Flesh Stays Together. The Portland metalcore outfit released the brutal lead single “I’ll Know You’re Not Around” last month, and now they’re back with the vicious followup “Revenge In Carnage.”

TTSSFU releases the Blown EP this Friday. So far Tasmin Stephens has only unleashed “Call U Back,” but it was catchy and sleek enough to keep us hooked. Now, the British dream-pop artist is sharing “Forever.”

Last year, London’s Honeyglaze released their latest record, Real Deal. Now the trio is back with “Turn Out Right,” a startlingly beautiful outtake.

Maneka is here to shred. The project of former Speedy Ortiz/Grass Is Green guitarist Devin McKnight has announced its new album, bathes and listens, and today’s singles “shallowing” and “dimelo” have some seriously explosive guitar work that’ll have you headbanging regardless of where you are.

Last year, the inaugural Field & Stream music festival was canceled due to damage from Tropical Storm Helene. This year’s was scheduled for Oct. 3-5 in Winnsboro, South Carolina, and it’s been canceled again.

Next month crushed will share their debut album no scope. So far, the indie pop duo of Bre Morrell and Shaun Durkan have shared great singles like “starburn” and “cwtch,” and today they’re back with another good one called “oneshot.”

The designer has become the first from Mexico to partner with H&M and will debut her 29-piece collection this October. The post This Latina is the First Mexican Designer to Collab with H&M appeared first on Remezcla.

The Saxophones returned in February with “Burning With Desire,” a song the indie-jazz-pop duo described as an “homage to New York City.” Today they’re going bicoastal: Their new single “Too Big For California” is out today, and it just so happens to be the latest preview of their November-bound album No Time For Poetry.

New Grass hail from Chicago, where they’ve expanded from a solo project to a trio in recent years. Though sometimes affiliated with the screamo-focused and often abrasive Zegema Beach label, their new self-released EP 4 is not all that screamy. I’d call it post-hardcore — and more importantly, I’d call it electrifying post-hardcore. The grooves are knotty but propulsive and …

It’s somehow been three years since the xx’s Oliver Sim released his solo debut album Hideous Bastard. Fortunately, he’s not keeping us waiting anymore. Sim dropped an infectious new tune called “Obsession” today, a bass-powered ’80s throwback that makes fantastic use of complementary vocals from Katie O’Neill, bringing Sim back into the boy-girl dynamic that works so well in his …