Can you believe Candace Owens is supporting Beyoncé’s Country music? In the latest episode of The Candace Owens Podcast, Ownes details Queen Bey’s country history. “Some people are saying that this is not very country,” Candace says. “I’m going to defend Beyoncé on that point because Beyoncé’s kind of always been country. She’s more country than Taylor Swift ever was …

There is so much that goes behind a hit record that people don’t see, and most of the time, those individuals are the most pivotal pieces to the puzzle.  Insert Camper, the songwriter and producer who had the pleasure of spending three months in Saudi Arabia with Ye and Ty$ for the making of Vultures 1. The project peaked at …

Having taken 1994 off to regroup, buy a house in the Somerset countryside, and write her third album, PJ Harvey reappeared in February 1995, a changed character. And “character” is the word. To Bring You My Love had her acting out a series of roles, from the homicidal mother of “Down By The Water” to the B-movie heroine facing down …

In the days of pre-internet music consumption, soundtracks were a hugely important vehicle for new artists to get noticed. A relative unknown could piggyback their material onto an album with more established acts, with a major motion picture to help sell it. When hip-hop culture spilled over into film in the 80s, the best hip-hop soundtracks not only shaped the …

Perhaps mindful that their adoption of funk and disco tropes had perplexed some of their British and American fans, Queen’s eleventh album was a return to fundamentals – it was a rock album, although they didn’t entirely discard the grooves that had graced both The Game and Hot Space. Their new album’s title hinted at something more familiar: The Works …

Little Richard burst onto the emerging rock‘n’roll scene in the new year of 1956 with “Tutti-Frutti,” the American Top 20 hit that lit the fuse for an explosive follow-up. One of the great double-sided hits of the era, “Long Tall Sally,” backed with “Slippin’ and Slidin’ (Peepin’ and Hidin’),” was released on February 27 that year. Like its predecessor, the …

History records 1961 as the year of Willie Nelson’s great breakthrough as a songwriter (albeit years before he had consistent success as an artist), when Patsy Cline charted with his classic “Crazy.” That song peaked in the country and pop Top 10 in early 1962, but it’s less widely remembered that Nelson already had a long-running country chart-topper to his …

You could pick any year from the heyday of Motown and call it a classic, but today we’re making the case for 1965. It was the era of the Supremes’ “Stop! In The Name Of Love,” the Four Tops’ “I Can’t Help Myself (Sugar Pie, Honey Bunch),” Marvin Gaye’s “Ain’t That Peculiar,” the Miracles’ “Ooo Baby Baby” and “The Tracks …

Recorded between May and October 1970, George Harrison’s “What Is Life” became the second single to be released from All Things Must Pass. It entered the US Hot 100 on February 27, 1971, and went on to become George’s second Top 10 hit in America. In the UK, “What Is Life” was issued as the B-side of “My Sweet Lord.” …

Dexter Gordon wasn’t hard to miss. Standing at a very conspicuous 6′ 6″ tall, the legendary American tenor saxophonist brought a literal meaning to the term “jazz giant.” But despite his imposing physique, he was a gentle man who spoke in a soft, melodious baritone voice. His saxophone sound, however, mirrored his stature; big and powerful with a commanding presence …